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    <title>3 Stations East</title>
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    <updated>2007-01-31T14:11:41Z</updated>

    <author>
        <name>Paul</name>
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    <id>tag:vox.com,2006:6p00c2251c214c604a/tags/digital+camera/</id>

    <subtitle>In which I say little and post even less.</subtitle>


    
    <entry>
        <title>The TZ2 &amp; TZ3 are here!</title>
    
    
    
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                <id>tag:vox.com,2007-01-31:asset-6a00c2251c214c604a00d4141daa7c3c7f</id>
        <published>2007-01-31T14:11:41Z</published>
        <updated>2007-01-31T14:11:41Z</updated>
    
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            <p>Of course two weeks after I bought the TZ1, <a href="http://www.dpreview.com/news/0701/07013105panasonictz2tz3.asp">the TZ2 &amp; TZ3 were announced today.</a> I don&#39;t feel <em>that</em> bad about it, though, because cameras <em>always</em> get one-upped for one and these don&#39;t appear to have massive changes for two. About the biggest change I can suss out on the pair is that there&#39;s now a Program AE mode, which is great news. There&#39;s also a wider lens, down to 28mm from the Tizzy&#39;s 35mm. The usual megapixel upgrades are there too but I don&#39;t really care.</p><p>The body is identical outside of larger LCDs. Meh.</p><p>I knew that a TZ1 successor would be coming but still feel good about my purchase. Besides, I could <em>always</em> wait for a bigger better camera or just buy one and start shooting.<br /> </p>
        
    
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        </content>
    
    <category term="camera" scheme="http://paulmcaleer.vox.com/tags/camera/" label="camera" />
    
    <category term="digital camera" scheme="http://paulmcaleer.vox.com/tags/digital+camera/" label="digital camera" />
    
    <category term="panasonic" scheme="http://paulmcaleer.vox.com/tags/panasonic/" label="panasonic" />
    
    <category term="lumix" scheme="http://paulmcaleer.vox.com/tags/lumix/" label="lumix" />
    
    <category term="tz1" scheme="http://paulmcaleer.vox.com/tags/tz1/" label="tz1" />
    
    <category term="tz2" scheme="http://paulmcaleer.vox.com/tags/tz2/" label="tz2" />
    
    <category term="tz3" scheme="http://paulmcaleer.vox.com/tags/tz3/" label="tz3" />
    
    </entry>

    
    <entry>
        <title>Lumix TZ1: First Impressions</title>
    
    
    
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                        <id>tag:vox.com,2007-01-27:asset-6a00c2251c214c604a00d4141a54c86a47</id>
        <published>2007-01-27T16:38:52Z</published>
        <updated>2007-01-29T02:55:35Z</updated>
    
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<p>

As part of my two-camera strategy (one general purpose, one DSLR), I decided on the <strong>Panasonic Lumix DSC-TZ1</strong>, or &quot;TZ1&quot; or &quot;Tizzy&quot; for short. It was a tough decision, honestly, but after the E18 error on the S2 IS I didn&#39;t want to even consider a Canon. The error may have been a fluke, but it was an expensive fluke, and why bother?</p><p>By far the biggest concern I had about the Tizzy was <strong>noise</strong>. This is an issue with all of the Lumix cameras, per the reviews; however there were plenty of clean images up on the flickr taken with the Tizzy and cameras such as the FZ7, which was the other contender.</p><p>In the end I was willing to give up full manual controls (remember, I&#39;ll get a DSLR in time!) in order to get the 10X optical zoom (!) in a package that is roughly the width and length of my iPod. (Sure, it&#39;s deeper.) That&#39;s impressive. Here are my first impressions from shooting with it.</p><ul><li><strong>The size is great.</strong> I missed having a pretty small camera.</li><li><strong>The detail and design is stellar.</strong> Truly, it feels like an honest-to-gosh camera. My friend Marcus has long talked about the &quot;old world feel&quot; of his FZ20 (30? forgot) and I can understand that here. The whole thing looks expensive outside of the lame &quot;10x optical zoom&quot; label. The camera has a great weight about it: not <em>too</em> light, not <em>too</em> heavy. Pocketable for my big jacket pockets.</li><li><strong>Quick startup time.</strong> Flip to on, pretty much ready to go.</li><li><strong>The big LCD is nice.</strong> It&#39;s easy to read, the menus are pretty clear (outside of a few questionable abbreviations), and it&#39;s nice.</li><li><strong>Everything was dark.</strong> The big problem with the first batch of photos is that almost all of them are too dark; I need to figure out why. Adjusting levels in iPhoto worked wonders, but even photos with the EV up +2 (!) were still dark. Detail wasn&#39;t lost, though.</li><li><strong>I miss the easy play/record switch that Canon has.</strong> <del>Putting playback in the middle of a rotary dial is strange, just strange. I don&#39;t get it. Put it at the end of the dial or the front. Please.</del> <strong>Update: </strong>Yep, the little &quot;review&quot; button lets me do what I need to do. Never mind!<br /></li><li><strong>Noise is present, but not yet to a fault.</strong> Can&#39;t be denied: there&#39;s noise, yes. But it&#39;s <em>not</em> to a point where it kills the image (yet), and given I take so many photos in good light this was something I felt I could deal with. I might invest in some noise-reduction software just for kicks.</li></ul><p>Above all that, I really <em>like</em> the camera. It&#39;s a great little tool. It feels elegant and well-crafted and has been a joy to use. Unlike the D50 post, I&#39;ll be sure to check in with everyone on the Tizzy in the future.<br />
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        </content>
    
    <category term="camera" scheme="http://paulmcaleer.vox.com/tags/camera/" label="camera" />
    
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    <category term="superzoom" scheme="http://paulmcaleer.vox.com/tags/superzoom/" label="superzoom" />
    
    </entry>

    
    <entry>
        <title>The Next Step in Cameras</title>
    
    
    
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                        <id>tag:vox.com,2006-09-21:asset-6a00c2251c214c604a00c225273e98604a</id>
        <published>2006-09-21T14:11:42Z</published>
        <updated>2006-09-25T21:05:46Z</updated>
    
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            <p>So I&#39;m starting to percolate here, thinking about what my next camera will be. As some of you may know, I currently only have one: a Canon PowerShot A80 that has generally kicked butt for me for the past few years. I actually sold off my two film cameras (one automatic, one manual) in order to get it. I don&#39;t regret that decision but, a part of me kind of wishes I&#39;d kept at least the ME Super.</p>      

    
      

    

 








    

    
    
    
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<p><br />In any case, the next camera is on my mind. I&#39;ve already put together a list of the pros and cons of the A80 and, surprisingly, the cons list is not <em>long</em> but the cons are kinda big. </p><p><strong>The Cons</p></strong><p>By far the biggest complaint I have about it is the <strong>lack of zoom</strong>; it does 3x optical and I won&#39;t use digital zoom, which means that it kinda isn&#39;t that great at zooming. <strong>Bulk </strong>is another issue but it&#39;s one I&#39;m starting to accept. When I bought it, Jeani was surprised at how big it was. After my ol&#39; Olympus 1.3 megapixel (my first &quot;modern era&quot; digicam - check that big thing out below) she expected me to go with something much smaller. The A80 is still smaller than the olde camera, but not by a lot.</p>      

    

    
    
    
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<p>
Little cameras are interesting to me, and most digital cameras - point and shoots - are either really damn small or fairly bulky. The A80&#39;s successors are a bit smaller than the A80 but not by large amounts. I&#39;m also now fairly comfortable with its size. It&#39;s not like toting around a DSLR; I can throw it in my bag but not my pocket and that&#39;s mostly okay. So while the A80 is bulky compared to a teeny tiny PowerShot, it&#39;s not <em>bad</em>.</p><p>The A80&#39;s cons continue: it&#39;s <strong>not great in low light</strong>, but I&#39;m finding that a lot of little digicams are this way. I strongly prefer not to use a flash unless absolutely necessary - it&#39;s a snobby habit of mine - and sometimes this means I lose a shot because of a lack of light. The <strong>image sensor is small like in every other point-and-shoot</strong>, which means that in order to get some &quot;classic&quot; depth of field I&#39;d need to edit digitally. Not a fan of that. Finally, <strong>4MP is good but not great</strong>. I know that I don&#39;t <em>need</em> a 10MP monster unless I&#39;m doing a DSLR, and would be fine with 5-7MP.</p><p><strong>The Pros</strong></p><p>There are a lot of things I still like about the A80. It <strong>pretty much does what I want it to do</strong>, and that&#39;s great. When I shared my published photos with my boss, he said &quot;So you&#39;ve got a high-end setup to take those, right?&quot; and I don&#39;t. I&#39;ve received comments that my flickr photos are above and beyond what people expect out of an A80, and that&#39;s something I&#39;m really pleased to hear. The camera also <strong>runs on AA batteries</strong> which is really nice, as I&#39;d rather not have to get a proprietary battery. (This pretty much knocks tiny digicams out of the running.)</p>      

    

 








    

    
    
    
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<p>

The <strong>swivel LCD</strong> is pretty much a &quot;can&#39;t live without it&quot; feature. It&#39;s killer. I always use it, love it, and would hope that my next camera would have it as well. The <strong>ability to add 52mm lenses/filters</strong> is great as well and was one of the selling points for me. I use the macro lenses EJ gave me to get awesome results. The built-in macro mode is acceptable but I&#39;m a big macro geek and love this stuff. Note that I <em>could</em> purchase a 2x teleconverter lens, and effectively get 6x optical zoom with my current setup. I&#39;m just not sure if that&#39;d be enough for what I want to do.</p><p><strong>So, The Contenders</strong></p><p>I&#39;ve been locked into &quot;MUST GET DSLR&quot; mode since a year or so ago and, as a result, I&#39;ll have fits and spurts where I end up taking <em>no</em> photographs because I feel so internally torn over using my current kit. (This is a flaw of mine, and I&#39;m currently in a dry spell with photographs but I can pin that on moving instead.) DSLRs are really nice, of course, and you already know why.</p><p>If I go the DSLR route the choices are numerous. The <strong>Digital Rebel XT</strong> is the pseudo-default choice but, really, I&#39;d be considering the <strong>Pentax *ist line</strong> as well. My dad had a Pentax film camera, I had two Pentax cameras, and I generally like them. And I can&#39;t rule out a look at the <strong>Nikon D50</strong>, since I&#39;m not truly bonded to one brand - although I certainly like Canon.</p>      

    

 








    

    
    
    
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The interesting twist is that I&#39;m seriously considering a <em>non</em> DSLR - in particular, the <strong>Canon PowerShot S2 IS</strong>. Yes, it&#39;s actually bigger than the A80 - that isn&#39;t lost on me. But it&#39;s got a 12x zoom, a great movie mode (something I have used about thrice on the A80 but enjoyed), and the swivel LCD I enjoy. The <strong>S3 IS</strong> is something under consideration too but, the new features aren&#39;t worth the extra money to me. If they were priced exactly the same, I&#39;d go for the S3 of course.</p><p>The S2 isn&#39;t great in low light, though - perhaps better than the A80 and probably not as good as a DSLR. The big advantage that the S2 has over a DSLR kit is, naturally, price. I&#39;m still very much mulling over how &quot;worth it&quot; all of this is to me.</p><p>In other words, do I want to wait longer and plunk down $600+ on a starter DSLR kit, wait just a matter of weeks and get an S2 IS, or say &quot;screw it all!&quot; and get a <em>film</em> SLR?</p><p>This is where I&#39;m at now. I&#39;m leaning strongest towards the S2 IS at this moment, but a nice *ist isn&#39;t lost on me - and the cost difference isn&#39;t that great. </p><p><strong>Tomorrow, Can I Still Read a JPEG?</strong></p><p>I&#39;m a little concerned about <strong>the future</strong> though; film still has more permanence than digital. All 12000+ photos I&#39;ve shot with my last two cameras have the potential to be junk if the JPEG format is rendered obsolete in 25, 50, 75 years. <strong>That is a big tradeoff! </strong>I mean, if we have kids someday, I&#39;d like them to be able to see what I&#39;ve done.</p><p>With film, getting in to a body and lens is a lot cheaper particularly if I go for used - which I would. I can pick up an ME Super again or even a K1000 (my first real camera, passed down from my dad) for less than an S2 IS. The downsides with film are, of course, that I&#39;d have to pay for each roll, and then get the results on the computer via a scanner (probably). So with digital, I essentially pay a &quot;one-time&quot; fee for the camera, memory card and battery; with film, I pay per use.</p><p>The thoughts of <a href="http://www.kenrockwell.com/tech/filmdig.htm">Ken Rockwell</a> aren&#39;t lost on me; digital and film do have different applications. And a lot of his arguments will fall by the wayside (aside from the semi-permanence angle) in a few years when point and shoots will have 15-20MP and DSLRs will be above 30MP. Which is better for me, then? A mild digital upgrade, a big digital upgrade, or changing over to film? I&#39;d keep the A80 in probably any case and just let it be my little beater camera.</p><p>I&#39;d like to hear your thoughts, particularly if you struggled with the same dilemmas. Film, &quot;prosumer&quot; digital, DSLR... fun stuff, this.<br />
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